Feb 24 2011

Interview with Beatriz Calvo-Merino, part 2: Science and Dance, Brain and Movement

This is the second part of the interview with Beatriz Calvo-Merino. Read the first part here: Interview with Beatriz Calvo-Merino, part 1: Dance + Neurons = Dance Neuroaesthetics

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Photo above: Beatriz Calvo-Merino by Tom Medak (cc)
Photo bellow: Sylvie Guillem, photographer unknown

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Feb 23 2011

Interview with Beatriz Calvo-Merino, part 1: Dance + Neurons = Dance Neuroaesthetics

Dr. Beatriz Calvo-Merino for the end of topics and series of interviews regarding dance, movement,  science and technology driven by neurons, muscles, bones, and ideas.

She gave a lecture titled ‘Dancing in the brain: the neuroaesthetic of performing arts’ during coldly December in Zagreb, as a part of the Cognitive of the Performative programme by the Centre for Drama Art aka cdu.

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Photo above: Beatriz Calvo-Merino, by Tom Medak (cc)
Photo bellow: Human Brain, taken from sharpbrains.com

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Feb 16 2011

Pocket cinema: Robert Moog and the story of the Moog Synthesizer

Bob Moog, the father of the Moog synthesizer and one of the pioneers of electronic music for your tasty ears and intuitive desires… This post was for about a week in my WP draft, and I was so inspired by the beauty of peeps from Arcade Fire last dayz, that I simply had to connect this feelin’ with Robert Moog‘s ideas and invention. Enjoy the history of music!

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Photo above: Robert Moog, taken from djproaudioinc.com
Photo bellow: Moog, taken from Preservation Sound

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Feb 10 2011

Interview with Scott deLahunta, part 2: Catching some dancing algorithms

This is the second part of the interview with Scott deLahunta. Read the first part here: Interview with Scott deLahunta, part 1: On working processes and digital realms

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Photo above: Scott deLahunta by Thomas Lenden (c)
Photo bellow: Excerpt from Emio Greco’s DVD double skin | double mind

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Feb 9 2011

Interview with Scott deLahunta, part 1: On working processes and digital realms

My next interview from the series of Cognitive of the Performative programme by Centre for Drama Art aka cdu was made during the Workshop with Choreographic Objects that I attended in December, guided by Scott deLahunta.

Scott deLahunta is a former dancer and choreographer, who began working in the mid-1990s as a researcher and coordinator for projects bringing together new media and live performance practices. For years he’s been advocating for creating software tools for choreographers from the environment of emerging new technologies.

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Photo above: Scott deLahunta, photo taken from Random Dance Company (c)
Photo bellow: Synchronous Objects Project,
The Ohio State University and The Forsythe Company (c)

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Feb 8 2011

Mechanical fragility: Dolls by Yotsuya Simon – gallery

Japanese artist Yotsuya Simon dedicated almost his entire life to studies on human body. I don’t have to mention that Japanese surrealism, jazz music and seeing Hijikata Tatsumi’s Butoh performance have influenced Yotsuya Simon‘s aesthetics and body of work.

Bodies of his dolls are tangible and fragile, open and humorous, yet very strong in expressiveness.  Probably the most intriguing sets of contemporary angels I have ever saw.

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Mechanical Girl 1, detail by Yotsuya Simon, 1983 (c)

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