Mar 18 2010

Agata Olek’s artwork – gallery

My Slavic soul simply couldn’t resist not to post a gallery of images with crocheted artworks by amazing Polish artist Agata Olek. I’ve found Agata’s works thanks to New York based designer, photographer and blogger See Ming Lee aka SML…

SML has made a great blog post on Agata’s 100% Acrylic Art Guards at 13th Annual DUMBO Art Under the Bridge Festival during October in New York City… Don’t miss it! …and don’t you dare to miss his coverage of Diane Eng’s Fairytale Fashion Collection Debut at Eyebeam in February…

agata_olek_1_by_sml.jpgThank You for Your Visit, Have a Nice Day (Wearable Sculpture)
by Agata Olek, Art in Odd Places 2009: SIGN, New York City
Photo by See-ming Lee SML (cc)

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Mar 15 2010

Silja Puranen fibering Barcelona!

Barcelona is in the spot – Silja Puranen is mastering with her textile art. From 18th March till 20th April, at La Galeria, you can see witty but sever perspectives on human relations of this extraordinary Finnish artist.

She’s attracting and attacking at the same time, enjoy it! Stay tuned, hopefully she’s coming at Body Pixel for a chat on world in-wrought in her textile art!

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Tatooed Lady, Silja Puranen

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Feb 19 2010

Barbwired by Ewelina Aleksandrowicz

Synergies among objects, bodies and entities are getting more and more interest among performers, choreographers and wearable technology creativez…

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Ewelina Aleksandrowitz & Andrzej Wojtas

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Dec 1 2009

Textiles Don’t Burn – Ivana Podnar

Ivana Podnar is a ready made textile artist who plays with textile and fibre practically her whole life. Although many girls sew clothes for their dolls during the childhood (I have to admit, it’s a rather rare phenomenon nowadays), only few of them stick to sewing for the whole life.

ivana_podnar_1.jpgReady made shirt made of old stockings by Ivana Podnar

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Nov 6 2009

Remade – Artservis #2

Artservis workshops were initiated as the idea of socially engaged art that stepped out of the white box. To be precise, workshop did not completely abandoned art institutions cause they were taking place in museum or gallery space, but they absorbed street public within its frame. All of a sudden you had sacred art rooms filled with crowd that brought old clothes yearning after an art touch.

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